Mike and Mike meet up on Fright Night this week to discuss vampires, CGI blood, and dweeb love.
Give us a listen because unlike vampires, we don’t suck.
Sorry for the technical difficulties. Skype reared its ugly head and may soon be kicked to the curb.
“I may not be drunk enough for this” – Peter Vincent
Fright Night, a remake of the 80’s horror film of the same name, aspires to be a blend of Rear Window and Dracula. But the best parts of this movie are used sparingly, giving us far less Rear Window, and more tween drama.
Tom Holland’s original Fright Night from 1985 is a movie that I’ve always loved and, as confirmed by a recent DVD viewing, still very much do. It manages to be both fun (and more than a little campy) at the same time it presents itself as a credible, even frightening horror film. It has, even to this day, some of the best vampire (and vampire-death) effects I’ve seen in movies (achieved, not for nothing, using “simple” makeup, costumes, prosthetics, puppets, and lots of stage blood – take that, billion-dollar CGI houses!). Of course, I had the knee-jerk negative reaction to news of a remake, but the casting announcements (David Tennant! Colin Farrell! Toni Collette!) were very interesting and not only gave me hope that it could be good, but as the release date neared actually got me quite excited to see it. And after last weekend’s viewing, I can finally and wholeheartedly confirm that it wasn’t completely awful.